Features:
“A Passion for Listening” by Victoria Fenner
“Unsettling the Score: Christian Wolff’s Compositions” by Gayle Young with interview by John Sherlock
“Notes Towards a Canadian Remix” by Jesse Stewart
Commentary:
“The Immeasurable Space of Tones (2003)” by John Luther Adams
“Project SYMPHOSIUM: Art and Politics (Part One)” by Udo Kasemets
D.I.Y. Music: “Your Computer as Instrument Part 2: Software Programs” by Barry Prophet
Visions of Sound:
“Christian Bok”
Event Reviews:
Soundplay: Electroacoustic Festival (November 2004, Toronto, ON). By Gregory Preston
Vancouver New Music: Diamanda Galás (October 2004, Vancouver, BC). By Randy Raine-Reusch
Sounds Like Now: Celebrating the Interpretations Series at 15 (October 2004, New York, NY). By Alan Lockwood
Haliburton Soundscape Retreat (October 2004, Haliburton, ON). By Lynn Harrigan
Canadian Opera Company: The Handmaid’s Tale (Toronto, ON, September 2004). By Stephanie Moore.
The 11th Annual Guelph Jazz Festival & Colloquium (September 2004, Guelph, ON). By James Harley
Gobsmacked! (August 2004, Toronto, ON). By Stephanie Moore
Public art : sonic spaces (August 2004, Toronto, ON). By Lynn Harrigan.
Sound Symposium (July 2004, St. John’s, NL). By René van Peer
Janet Cardiff’s Forty-Part Motet (June–September 2004). By Lynn Harrigan
Electro-Erotic Cabaret (June 2004, Toronto, ON). By Kristiana Clemens
The Lab 3.5: Pavilion of Heavenly Trousers (February–March 2004, Victoria, BC). By John Luna.
Deep Wireless Festival of Radio Art (May 2004, Toronto, ON). By Kristiana Clemens
Words:
Austin Clarkson, ed. On the Music of Stefan Wolpe, Essays and Recollection. By Udo Kasemets
Ben Watson. Derek Bailey and the Sotry of Free Improvisation. By Ken Waxman
